Hans Kendrick Font Family
Hans Kendrick is a simple, geometric and versatile typeface inspired by Futura and Avenir.
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- 9 weights from Thin to Heavy
- 9 italics from Thin to Heavy
- 27 Web fonts from Thin to Heavy
Neue Reman Grotesk contains 750 glyphs, a Latin Pro font that supports over 192 languages. This is the second version of the Neue Reman Family. It’s complete with Stylistic Alternates, Stylistic Set, Caps Swashes Letters, Standard Ligatures, Discretionary Ligatures, Tabular Figures, Proportional Figures, Superscripts, Subscripts, Scientific Inferiors, Fractions, Ordinals, Arrows and a variety of figures and fractions. Neue Reman typeface is suitable to use in multipurpose projects such as on websites, systems, printing, embedding, servers, screens, display, digital ads, branding, logos, titles, headlines, text, and everything else. The Grotesk glyphs style can be accessed with Opentype features. Make sure you use an App/Program that supports the Opentype feature.
https://www.myfonts.com/collections/neue-reman-sans-font-propertype
It is a Roman, Humanist, Grotesk, and Geometric sans serif family. The family comes in 7 weights & 5 Width with matching italics + Variable Font File and includes multilingual Latin characters. Neue Reman Sans contains 306 glyphs – this is the first version of the Neue Reman Family with standard ligatures and a variety of figures and fractions. We create Neue Reman typeface to use in multipurpose projects such as on websites, systems, printing, embedding, servers, screens, displays, digital ads, branding, logos, titles, headlines, teks, and everything else.
Kendrick Font
Kendrick is an incredibly distinct, delicate and timeless handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.
OTF | TTF | 8 MB
Sale PaGe
The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The typeface was soon revised and released as Helvetica by Linotype AG.As Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal linecasters, Linotype Helvetica was in some ways a radically transformed version of the original. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. In the 1980s Neue Helvetica was produced as a rationalized, standardized version.For Christian Schwartz, the assignment to design a digital revival of Neue Haas Grotesk was an occasion to set history straight. “Much of the warm personality of Miedinger’s shapes was lost along the way. So rather than trying to rethink Helvetica or improve on current digital versions, this was more of a restoration project: bringing Miedinger’s original Neue Haas Grotesk back to life with as much fidelity to his original shapes and spacing as possible (albeit with the addition of kerning, an expensive luxury in handset type).”
TTF
Neue Frutiger World is designed for global use with an impressive range of 10 weights, from Ultra Light to Extra Black, with matching italics. It embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. Neue Frutiger World supports more than 150 languages and scripts including Latin, Greek, Cyrillic, Georgian, Armenian, Hebrew, Arabic, Thai and Vietnamese.
“Before Neue Frutiger World it was not an easy task for western brands to find families in Arabic, Hebrew, Thai and Vietnamese which match with their Latin,” says Monotype type director Akira Kobayashi, who led the Neue Frutiger World project. “They may find a type with closer expression, but there was no guarantee if the bold version in the non-Latin family matches the bold in their Latin. Neue Frutiger World offers a better solution.” In addition to Neue Frutiger World’s linguistic versatility, it works hard across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.
https://www.myfonts.com/fonts/mti/neue-frutiger-world/
Neue Konstrukteur Round is an engineered, mechanical typewriter font with a hint of heritage blackletter. Inspired by a trip to Germany this font has five weights from Thin to Black with accompanying italics. That makes 10 font files in total, enough for the most demanding projects.
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